Fri. Dec 9th, 2022

Some have decided to undertake teaching or postgraduate research, and others have successfully transferred their verbal, visual, and analytical skills to non-arts-related career paths. The course offers particularly good preparation for careers that place emphasis on visual literacy, such as advertising and marketing. Whatever their destination, students tend to become passionate about their course, and retain close ties with their lecturers and supervisors after they graduate. Current undergraduates are happy to discuss their experience of the History of Art Tripos with prospective applicants. Part II offers a variety of more specialised options on subjects ranging from the medieval period to contemporary art, as well as two compulsory courses, one on critical and methodological approaches to the subject, and one on the concept and practice of display. In the first part of the module, we will discuss a small number of painters working between the seventeenth and nineteenth centuries, approaching them largely through present-day critical and theoretical perspectives.

  • Various artist did not want to create artwork that everyone was conforming to at the time.
  • One of the greatest works of Mesolithic art is the sculpture “Thinker From Cernavoda” from Romania.
  • The Palace of Westminster , London is an example of romantic architecture that is also referred to as Gothic Revival.

As the “Dark Ages.” The art of this period can be considered relatively “dark” as well. Some depicted rather grotesque or otherwise brutal scenes while others were focused on formalized religion. Quite often, art was created to tell stories in a time when oral tradition prevailed.

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You’ll learn about the history of art and to think critically about its development and effects, examining the social history of art in a challenging and thought-provoking way. You’ll also consider some of the theories and approaches, from aesthetics to anthropology, that can help us to interpret works of art as well as understanding different contexts of its display. We do not take for granted that ‘art’ has been understood in the same way around the world through time. The admissions process consists of two interviews, one with the Director of Studies in History of Art, who will usually be accompanied by another specialist member of staff, and one with the Admissions Tutor or other non expert academic. Beforehand, applicants will be asked to send in two essays of their choice written for their A-level subjects or other comparable school exams.

In 1789, France was on the brink of its first revolution and Neoclassicism sought to express their patriotic feelings. They believed that art should be serious, and valued drawings above painting; smooth contours and paint with no discernible brushstrokes were the ultimate aim. Both painting and sculpture exerted calmness and restraint and focused on heroic themes, expressing such noble notions as self-sacrifice and nationalism. It also often featured marble columns, coffered ceilings and sumptuous decoration, including the extensive use of mosaics with golden backgrounds. The building material used by Byzantine architects was no longer marble, which was very appreciated by the Ancient Greeks. Mosaics were used to cover brick walls, and any other surface where fresco wouldn’t resist.

This reached its peak during the sixth century BCE as their city-states gained control of central Italy. Like the Egyptians but unlike the Greeks, Etruscans believed in an after-life, thus tomb or funerary art was a characteristic feature of Etruscan culture. Etruscan artists were also renowned for their figurative sculpture, in stone, terracotta and bronze. Above all Etruscan art is famous for its “joi de vivre”, exemplified by its lively fresco mural painting, especially in the villas of the rich. In addition, the skill of Etruscan goldsmiths was highly prized throughout Italy and beyond.

1960s Pop Art

The Sanctuary Scholarship also provides a £5,000 per year stipend, to assist with study costs. In addition, if the eligibility criteria for university accommodation is met, this will also be provided for the duration of your degree, if required. For more information on the accommodation criteria, please see theAccommodation Services sectionon the website. The University of Glasgow awards c.50 undergraduate Talent Scholarships each academic year to support students who could face financial difficulties in taking up their place to study at the University. Talent Scholarships are available to students entering any of the University’s Colleges. History of art seeks to understand how and why paintings, sculptures, buildings, and works of design in a variety of media come to look the way they do.


They’re a great way to tailor your study around your interests or career aspirations and help you stand out from the crowd when you graduate. From August 2021 EU/EEA/Swiss nationals will no longer be eligible for ‘Home’ fee status. EU/EEA/Swiss nationals will be classified as ‘International’ for fee purposes, more information can be found on our fees page. This programme is taught through scheduled learning – a mixture of lectures and seminars. You’ll also be expected to undertake a significant amount of independent study. This includes carrying out required and additional reading, preparing topics for discussion, and producing essays or project work.

They also frequently use dramatic effects of light and shade, and have sumptuous, highly decorated interiors that blurred the boundaries between architecture, painting and sculpture. Another important characteristic of Baroque architecture was the presence of dynamism, done through curves, Solomonic columns and ovals. Baroque buildings try to seize viewers’ attention and to dominate their surroundings, whether on a small scale such as the San Carlo alle Quattro Fontane in Rome, or on a massive one, like the new facade of the Santiago de Compostela Cathedral, designed to tower over the city. Baroque furniture could be as bombastic as the rooms they were meant to adorn, and their motifs and techniques were carefully calibrated to coordinate with the architect’s overall decorative programme. One of the most prestigious furniture makers was André Charles Boulle, known for his marquetry technique, made by gluing sheets of tortoiseshell and brass together and cut to form the design. Complex Gobelins tapestries featured scenes inspired by classical antiquity, and the Savonnerie manufactory produced big highly detailed carpets for the Louvre.

By jimmy